This is where we’re at with Top 10 Lists: we don’t need another “Desert Island Classic” list of the Top 10 Best Rock Albums and no one really cares what my favorite instrumental albums or Top 10 Live Albums are, but I wrote those lists anyway (and can I interest you in my Top Albums of 2013?).
Why not get even more random and silly with it: how ’bout the Top 10 Consecutive 3-Album Runs… or even the Top 10 Best Album Covers That Match the Best Albums from 2011?
So, as a casual jazz fan on a recent Miles Davis kick (and a father of two young boys), it popped in my head that there’s some good jazz album titles that sound like children’s books. And, just to teach about counting (or set a bad example of such), this Top 10 Jazz Albums (That Sound Like Children’s Book Titles) list contains 12 items!
- Miles Davis – Milestones
- Dave Brubeck Quartet – Time Out
- Stanley Clarke – School Days
- Wayne Shorter – Speak No Evil
- Wynton Marsalis – Big Train
- Chick Corea – Children’s Songs
- Pat Metheny – Imaginary Day
- John Coltrane – My Favorite Things
- Herbie Hancock – Dis Is Da Drum
- Ornette Coleman – Soapsuds, Soapsuds
- Modern Jazz Quartet – Patterns
- Charlie Parker – Ornithology (Okay, so maybe this one woulda been called Big Book of Birds or whatever…)
These Top 10 Lists are impossible. I don’t know why we subject ourselves to doing them, but we do. And picking the Top 10 Best Live Albums is a particularly tough one, as easy as it might seem on the surface.
It’s hard enough just to get the performance/recording of actual live albums right, let alone properly assessing them in some form of a list. There’s always that impossible tightrope walk between the best performances and the hit songs; between the idea of releasing one complete show and mixing together the best sounding tracks from different nights. Depending on the band, and the expectations of their listeners, there are a myriad of stumbling blocks and inevitable drawbacks to the pursuit of a good live album.
How did this guy not make the list?
It’s an oxymoron within itself, the live album. Truly LIVE music isn’t really live when you listen back to it later. At its worst, it’s simply the songs you know but with canned crowd noise. But at its best, it can actually convey the energy and joy of the original performance (just as a “studio album” can capture a great take, that was technically played “live,” even if just in front of 3 engineers and not 3,000 screaming fans).
The difficult thing in identifying what I would deem the Top 10 Best Live Albums, for me, is the fact that it could be argued that the bands I most admire as live acts haven’t really made a truly great live album. Prince, The Roots, Radiohead, The Who, Black Crowes, and Led Zeppelin have all made attempts, but for some reason they haven’t quite nailed it yet on an official live release. (Maybe The Who and Zeppelin have come close, but for some reason they lack a flawless go-to set). U2, while they’ll make the honorable mentions list with Under a Blood Red Sky, I still feel like they are missing a career-spanning (but not too monstrous) live set. Continue reading →