Top 10 Jazz Albums That Sound Like Children’s Book Titles

school daysThis is where we’re at with Top 10 Lists: we don’t need another “Desert Island Classic” list of the Top 10 Best Rock Albums and no one really cares what my favorite instrumental albums or Top 10 Live Albums are, but I wrote those lists anyway (and can I interest you in my Top Albums of 2013?).

Why not get even more random and silly with it: how ’bout the Top 10 Consecutive 3-Album Runs… or even the Top 10 Best Album Covers That Match the Best Albums from 2011?

So, as a casual jazz fan on a recent Miles Davis kick (and a father of two young boys), it popped in my head that there’s some good jazz album titles that sound like children’s books. And, just to teach about counting (or set a bad example of such), this Top 10 Jazz Albums (That Sound Like Children’s Book Titles) list contains 12 items!

  1. Miles Davis – Milestones
  2. Dave Brubeck Quartet – Time Out
  3. Stanley Clarke – School Days
  4. Wayne Shorter – Speak No Evil
  5. Wynton Marsalis – Big Train
  6. Chick Corea – Children’s Songs
  7. Pat Metheny – Imaginary Day
  8. John Coltrane – My Favorite Things
  9. Herbie Hancock – Dis Is Da Drum
  10. Ornette Coleman – Soapsuds, Soapsuds
  11. Modern Jazz Quartet – Patterns
  12. Charlie Parker – Ornithology (Okay, so maybe this one woulda been called Big Book of Birds or whatever…)

What If Jimi Hendrix Didn’t Die?

An awesome painting by David Choe

It’s always fun to think about various “what ifs?” in both pop culture and history. What if The Beatles didn’t break up? What if someone went back to 1931 Germany and killed Hitler? What if…

In an ode to Chuck Klosterman’s “What If Kurt Cobain Didn’t Die?” piece I am inclined to offer a timeline of events (mostly musical) that would have occurred if Jimi Hendrix didn’t die in 1970.

APRIL 1971
After the release of Cry of Love, in which Hendrix tried his best to fuse the Band of Gypsies with The Experience, Jimi’s manager Chas Chandler is contacted by Miles Davis. The two schedule a summer jam session at Electric Ladyland in New York City. The recording is never officially released but becomes a popular bootleg that shows Jimi moving into more toned down, yet improvisational-based funk style of playing guitar. There are talks of future sessions that would include Sly Stone, Wayne Shorter, Ron Carter, and Eddie Hazel.

JANUARY 1972
Jimi officially declares the end of The Experience after forgoing the release of First Rays of the New Rising Sun in favor of releasing an album and touring with Miles Davis. The album, Onyx, reaches #8 on the charts with a sound that Robert Christgau reported as, “a perfect blend of each virtuoso’s best elements: Jimi’s raw yet fluent guitar playing mixed with Mile’s sparse and moody tones.” Their back up band, consisting of Wayne Shorter, Ron Carter, Herbie Hancock, Elvin Jones, and Stevie Winwood, tour America with Sly & The Family Stone as the opening act. Their single, “Broken Windows,” reaches the top ten in both America and England.

Continue reading →