Silo Halo – Night and The City Album Review

Silo Halo

Intense Magnetism: Night and the City

A song is defined as: musical sounds in agreeable succession or arrangement.

Melody is the combination of pitch and rhythm.

The first time I put on Silo Halo‘s new album Night and the City (Etxe Records, DC) my immediate attraction was to the vocal melody lines and strong songwriting. This Washington, DC-based, self-described “emotive” band displays many strengths throughout the record but I keep finding myself humming the vocal parts for hours after each fresh listen. My only real concern is that at times I wish the vocals were even louder.

In many a rant, I have gone on and on that a big difference between “good” bands and “not good” bands is usually the strength of their singing and song writing (and of course some luck). You can walk into 74,000 different garages, basements, and bedrooms throughout the world and find plenty of great music. 90% of the time you won’t walk away fulfilled by the vocals. Maybe it’s bad P.A. systems or the extroverted nature and nakedness of singing that prevents all of those kids from choosing to become the “lead singer” vs. the drummer or guitar player.

Silo Halo is a band that uses their 3-person multi-instrumentalist /vocal attack like a well oiled pitching staff. Each member taking turns with their unique style and approach throughout the arrangements. The listener is treated to smart, uplifting lyrics and complex musical change up’s while the classic male-to-female vocal back and forth’s keeps the songs interesting and free-flowing.  The verse’s in the song “Out of the Fugue” act as a dark minor chord and noisy detour on the path towards the light filled chorus of arpeggiated major notes and quick picking guitar riffs. Bass player and singer Christin Durham provides contemplative vocal relief from the moody segments of Chris Goett and Greg Svitil’s vocal mannerisms. Danceable beats and distorted synths mesmerize on “You Don’t Dream” and the dynamics of songs like “Wonderful Gift” and “I’m Still Slamming My Head Against a Brick Wall” remind you why great songs will always outshine super glossy production.

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