It’s been almost a quarter century since Public Enemy famously asked “Who gives a fuck about a goddamn Grammy?” on their classic album It Takes A Nation of Millions To Hold Us Back, and we’re still referencing that line every year when we write these reminders that the Grammys are garbage.
Everyone knows it’s an industry-insider’s popularity contest; an annual pat on the backs for the big boys; a reason to roll out a red carpet and sell TV ads. So I won’t waste too much time rehashing and chronicling all the reasons to ignore the Grammys. If you still need evidence, this is a great list of some of the all-time snubs at the Grammys. There are countless great artists who’ve never won or been nominated, but I’ll simply rest my case with this list of just some of the most famous musicians who never took home a statue:
Creedence Clearwater Revival
Parliament and/or Funkadelic
Sly and the Family Stone
The Sex Pistols
Meanwhile, Phil Collins has won 8 times. Oh, and Public Enemy never won one either…
This logo is as unimaginative as the playlist.
Since your station announces that it’s family owned and locally operated (with the tag line bragging “Programmed IN Baltimore, FOR Baltimore”), I figured you’re not some computer-generated playlist mandated from a corporate office and you’d enjoy some feedback.
It seems you have a borderline-obsessive fascination with The Eagles, Steve Miller Band, and Bob Seger. It’s not healthy, and it’s starting to hurt my ears. They’re not the absolute worst bands in the world, and I realize that as a Classic Rock Radio station you should offer them on your menu. But playing them each twice an hour is a bit much. I don’t care what your records and logs might say, I swear every time I get in my car, the next song is the goddamn Eagles. Hey, I like a bunch of Seger’s tunes, but jeez, do people really want to hear him that often? Can you please start giving some of his carries to John Mellencamp and Tom Petty instead? And most of Steve Miller Band’s stuff is just way overplayed considering it was never really that great.
Also, I wanted to let you know that both the Rolling Stones and Led Zeppelin have more than 5 songs each. Seriously. You should really check out their whole catalog, you’re gonna love it. Again, I realize that the Stones and Zeppelin are your bread and butter (and rightfully so) but can we go a bit deeper than Stairway and Satisfaction? I know you already murdered Led Zeppelin years ago, but it’s not too late to breathe some life back into them.
I do need to thank you for reminding me how good some of those songs by Heart in the 70s were. And I forgot how bad their mid-80s stuff was, so please stop playing “What About Love,” “Never,” and “These Dreams,” and stick to the “Baracuda” and the one about the guy with the magic hands. Oh, and I really appreciate you letting me know that Journey and Lynyrd Skynyrd had a baby named .38 Special. Congrats. Continue reading →
These Top 10 Lists are impossible. I don’t know why we subject ourselves to doing them, but we do. And picking the Top 10 Best Live Albums is a particularly tough one, as easy as it might seem on the surface.
It’s hard enough just to get the performance/recording of actual live albums right, let alone properly assessing them in some form of a list. There’s always that impossible tightrope walk between the best performances and the hit songs; between the idea of releasing one complete show and mixing together the best sounding tracks from different nights. Depending on the band, and the expectations of their listeners, there are a myriad of stumbling blocks and inevitable drawbacks to the pursuit of a good live album.
How did this guy not make the list?
It’s an oxymoron within itself, the live album. Truly LIVE music isn’t really live when you listen back to it later. At its worst, it’s simply the songs you know but with canned crowd noise. But at its best, it can actually convey the energy and joy of the original performance (just as a “studio album” can capture a great take, that was technically played “live,” even if just in front of 3 engineers and not 3,000 screaming fans).
The difficult thing in identifying what I would deem the Top 10 Best Live Albums, for me, is the fact that it could be argued that the bands I most admire as live acts haven’t really made a truly great live album. Prince, The Roots, Radiohead, The Who, Black Crowes, and Led Zeppelin have all made attempts, but for some reason they haven’t quite nailed it yet on an official live release. (Maybe The Who and Zeppelin have come close, but for some reason they lack a flawless go-to set). U2, while they’ll make the honorable mentions list with Under a Blood Red Sky, I still feel like they are missing a career-spanning (but not too monstrous) live set. Continue reading →