“Getting” Bon Iver

The new Bon Iver record just doesn’t sound like anything else. Nowadays it seems that’s the last frontier: unique originality. There’s only so many notes. You’re not going to think of anything that Miles Davis or Leonard Bernstein didn’t already come up with. Everything else is Beatlesque or ripping off the Stones (who were rip-off artists).

So while it used to be good enough to just sound like something that was already considered great and successful, at some point being completely new and “indescribable” was the new benchmark. It wasn’t enough to combine genres, the best artists could defy them.

It probably started with invention of hip-hop and rap music in the late 70’s and it’s subsequent explosion in the 80’s. Sure, they literally and physically combined genres, but it didn’t sound like anything else ever. Later, Radiohead came along. Their earliest work was guitar-drums driven, but they morphed into something from the future. Something indescribable. You might make the case that more recent critics darlings My Morning Jacket have that “dude you just gotta hear ’em” factor that would put them in this category.

Interestingly, both Radiohead’s Thom Yorke and My Morning Jacket’s Jim James have something else in common: they like to do a lot of their work in falsetto, their high vocals often serving as either an attraction for fans or a deal-breaker for the listeners that just don’t like it.
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