Interview with Neal Casal

In 2010, singer/songwriter Neal Casal released his photo book chronicling his time with Ryan Adams and the Cardinals, A View of Other Windows. We were fortunate enough to catch up with Neal after its release for an intimate conversation about music, photography, and the Cardinals.

Todd.Levinson.Frank: You’ve obviously been documenting the Cardinals for a while, when did you think it could and would make a decent book? If the Cardinals hadn’t “ended” in 2009, would this book have still come out this soon, or did the timing work out that this book would put a nice bow on the Cardinals era?

Neal Casal: I didn’t know these photos would make a decent book until the book was about 90% finished. I doubted the quality of the work until very late in the game. Once it was finished though, I knew it was up to standards and that we had achieved something special.

I didn’t start taking the photos with the intention of making a book, I was just doing it because I loved to take photos of my band mates. The idea of the photos being a book came much later.

Neal Casal shoots Ryan Adams and himself.

TLF: Both a guitar and a camera are instruments of art, tools of trades, and are dependent on their design and the technology utilized to bring them to life. But a song or a jam can be made up out of thin air, whereas a picture has to be taken of something. So playing music is creating (or recreating) something while photography is capturing and freezing something. What are some similarities and differences between how you approach the guitar and how you approach the camera?

NC: Music and photos are the exact same thing for me. A photo has to be taken “of” something, and a song has to be “about” something. A photo is a song and a song is a photo. They both come out of thin air, and they are both about capturing and freezing something.

There’s a dual action that exists in both of these mediums, and in all things when they’re operating at their best. If you look at the photographs I take, and the music that I make, you’ll see and hear very similar qualities in both. My individual aesthetic is applied to whatever instruments I’m utilizing at the time. Continue reading →

Reviewing the Reviews: Ryan Adams – Cardinology

Maybe someone can write a “Ryan Adams Album Review Generator” program where some software will just spit out all the necessary buzzwords for a review that somehow says his new album is good and that his old ones are also good but do it in some sort of backhanded compliment way.

It must include the word PROLIFIC, as well as pastiche, antics, Gram Parsons, editor, enfant terrible and/or “bad boy,” Grateful Dead, focus, quality/quantity, and something about dating actresses or whatever…

Perusing 18 different published reviews of Ryan Adams and The Cardinals new Cardinology CD, I was amazed and amused at what I found. Sure, there’s was the usual varying of opinions (some loved it, some sorta liked it, some found it predictable and boring), but that’s to be expected with any album. Reading the reviews, apparently someone must have invented that “Ryan Adams Album Review Generator” software, cuz it’s obviously been put to some use.

Among these 18 reviews, the word “prolific” is used 12 times (including two mentions of “prolificacy” and one time Adams is even called “insanely prolific”). It is the very first word of one review, the second word of another, and it appears in the first sentence of five other reviews and in the second sentence of yet another two. One review claims that “he became obsessive-compulsive about recording anything that rhymed.” Continue reading →