If the Cover Fits: Great Art to Match Some of the Best Albums of 2011

You can’t judge an album by its cover, but there’s something about when certain albums seem to match their covers, often in some odd unexplained way. For me, it’s not something obvious like “yea, it’s a picture of the band playing the music,” but something much subtler. So this isn’t necessarily my 10 Most Favorite Albums of 2011 so far (though many of them might make that list if it existed), these are just 10 Favorite Covers That Happen To Match Their Music Well. Or something like that.


The War on Drugs
Slave Ambient
The kind of album that’s hard to describe: it’s lush and dreamy but it still has an organic sound and chugging pace that seems in conflict with itself. Same for how many tracks sorta hum along on what seems like just one chord and yet you don’t feel bored. It’s an interesting drone, if that’s even possible. Like Bob Dylan meets Velvet Underground. Slave Ambient sounds how that cover looks. It’s this very strange intersection of electronica and Americana, though it doesn’t overtly sound like either.

PJ HarveyLet England Shake
Stark and fluttering, subtly explosive, beautiful yet blunt. PJ Harvey delivered one of the finest albums of the year so far and this black and white cover is just sharp enough for the occasion.

Jay-Z and Kanye WestWatch the Throne
Is that not the perfect cover for Jay Z and Kanye West’s Watch the Throne? Just pure gold. Delicate wrapping, and you could say at times some paper-thin rapping as well. The cover doesn’t tell you the title or the artist (of course, you already know that you are in the presence of royalty), it simply conveys luxury. Insisting that it is the best of the best because, well, it’s the most expensive. But what’s inside? Like the cover, the album is more flash than substance. The only promise that’s really delivered here is that of more luxury. Expensive samples, top notch production, and signature styles (for better and worse) of the two co-star’s verses about, well, luxury. More gold rapping. The only album cover that might have been more appropriate would be a scanned image of their bank statements and tax returns.

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Beastie Boys – Hot Sauce Committee Part Two Review

These grandpa's been rapping since '83.

If you are at all like me–a long-time devoted fan of the Beastie Boys and their groundbreaking career–then there is a good chance that you have been a little disappointed with the group’s output since the release of Hello Nasty. It’s not that Hello Nasty is a bad album, it’s actually quite eclectic and experimental (which is saying something for these guys), it’s just that it might have moved a little too far away from the Beastie Boys we grew up with and had grown accustomed to with Paul’s Boutique, Check Your Head, and Ill Communication. Their subsequent output, To the 5 Boroughs & The Mix-Up, were hit-or-miss at best. The band definitely seemed to be losing some creative steam as we reluctantly began to wonder, “is the best Beastie Boys music behind us?”

To say that Hot Sauce Committee Part Two is a return-to-form or a comeback album might be overstating its value. But once you hear the first Clavinet notes and beat of “Make Some Noise” you can’t help but nod your head, smile, and think, “yea, this is what it’s all about. This is the Beastie’s Boys I know and love.” HSC2 is definitely the bands best overall album since Ill Communication.

The Beastie’s have always been hipster darlings and musical (and cultural) trend setters. In short, from 1986-1999, there was no cooler band in the world. Funky, 70’s-instrumentals? Check. Creative and unique sounds? Check. Witty, pop culture referencing rhymes? Check. Incredible studio production? Check.  And of course, great songs: Check your head!  HSC2 mashes up the Beastie Boys 90’s output with just enough new school bleeps and blips to keep the album sounding fresh and current while still maintaining that, dare I say, classic Beastie Boys style till the break of dawn. If you don’t nod your head during “Nonstop Disco Powerpack” then just hit the stop button now.

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