More ‘Best Albums of 2011’

We already compiled the Top Albums of 2011 that we reviewed, so let’s round out our Top 25 albums of 2011 with 15 more that we didn’t get around to writing proper reviews for. It’s a good thing we left our final list undun until now. Looks (sounds) like 2011 saved the best for last as December saw (heard) the release of two of the years’ best from The Roots and The Black Keys.

The Roots – undun
The masters of album making strike again. The Roots have been so consistent and set the bar so high that seemingly every year or so they drop another classic on us and we put them on our year-end lists and talk about how great they are, and yet it still feels like we somehow take them for granted. Saving the best for last and releasing it in December, The Roots’ stark narrative, with the accompanying musicality well beyond just the beats, stands as perhaps the best album of the year.


Ryan Adams – Ashes & Fire
The return of Ryan Adams features not only his best set of songs since 2005, but his voice sounds better than ever. His co-MVP’s here are legendary veteran producer Glyn Johns and keyboardist Benmont Tench (of Tom Petty’s Heartbreakers).


P.J. Harvey – Let England Shake
Maybe the most unique and interesting albums of the year. Stark and fluttering, subtly explosive, beautiful yet blunt. This one took home prestigious awards and topped a lot of other lists, and it’s way high up on mine as well. Engaging and as urgent as she’s always been, but perhaps her most musical album to date.


Fleet Foxes – Helplessness Blues
I once described Fleet Foxes as a soundtrack for doing yard work at a Renaissance festival. And while that doesn’t make a lot of sense, I meant it in the best possible way.


Megafaun – Megafaun
Impossible to describe. Somehow manages to sound like both CSNY and Hot Chip. Comes off weird and eclectic, but still full of hooks.


Paul Simon – So Beautiful or So What
Not quite right up there with Graceland or The Rhythm of the Saints, it’s certainly still a “return to form,” as the press releases like to say. And in between the spots where it bounces like those albums, he sprinkles in a few mellow numbers reminiscent of his 1970’s ballads.


The Decemberists – The King Is Dead
This time they tone down the lush, orchestral emo-pop sound of their previous album, Hazards of Love, and return with a rustic and rootsy affair, with a solid assist from Peter Buck on guitar.


Middle Brother – Middle Brother
Collaboration of lead singer/songwriters (Deer Tick’s John McCauley, Dawes’ Taylor Goldsmith, and Delta Spirit’s Matthew Vasquez) team up for a simple but stunning record that underscores each of their (potential) places in the next generation of great American songwriters. It’s like if Bruce Springsteen, Tom Petty, and John Mellencamp recorded an album together, but did so in 1981-82, around the time they were each making Nebraska, Hard Promises, and American Fool. Actually it’s not really like that at all. Where was I? Oh yea, back to the list.


The War On Drugs – Slave Ambient
Droney and addictive.


Radiohead – The King of Limbs
People either love Radiohead and swear by them as the best and most important and innovative band on the planet, or they don’t “get” them and think they’re overrated. There’s no point in me writing about them, other than to say The King of Limbs was a slow burn, took a while to grow, still one of my favorites from this year.


Kurt Vile – Smoke Ring From My Halo
This is a great record that took me a while to actually dig. I’d hate to cheapen it with a string of bullshit music-critic buzzwords and catchphrases… but the retro anti-folk of Smoke Ring From My Halo successfully mixes Dylanesque phrasing with Lou Reed-style street poetry, and somehow comes out smelling like indie rock.


Dawes – Nothing Is Wrong
I like this better than their much-acclaimed debut. Full of subtle hooks and natural emotion, this has a crispy 70’s feel with all the guitars up front in the mix.


Explosions in the Sky – Take Care, Take Care, Take Care
Instrumental rock experts hit us with another dynamic set.


The Antlers – Burst Apart
Another one that is kinda hard to describe. At times a bit odd, but mostly beautiful.


The Black Keys – El Camino
This is right behind The Roots’ undun in the “Best for Last” category. Dropping in December, this one brings the heat right outta the box. Once it’s given more time to sink in, it might end up being the best album of the year.

Top 10 Albums (That We Reviewed) From 2011

It’s always so tough to pick only 10 records.

Let’s start our look back on a great year in new music with a list of the Top 10 Albums of 2011 that we actually wrote reviews for here on Bums Logic. This crop of reviews represents some of the core material published as we launched this new site in 2011 and we thank you all for listening and reading along.

Next week we’ll add another dozen or so favorites from this year that we didn’t write about…. and then maybe think of an excuse to add others, or combine them into one master list and rank them in order. Or not.

So here’s our Top 10 Albums (That We Reviewed) From 2011, in no particular order, and all with links to our original reviews:

Tom Waits – Bad As Me

Drive-By Truckers – Go-Go Boots

Jason Isbell and the 400 Unit – Here We Rest

Wilco – The Whole Love

Mastodon – The Hunter

Stephen Marley – Revelation Pt.1: Root of Life

Bon Iver – Bon Iver

Beastie Boys – Hot Sauce Committee Pt.2

G. Love – Fixin’ To Die

Sonic Youth – Simon Werner a Disparu